The academic as artist : inclusive artistic practice as pedagogical model

Liam Viney, Diana Blom

Research output: Chapter in Book / Conference PaperConference Paperpeer-review

Abstract

This paper examines the outcome of a project aimed at expanding the practice of music-making using multiple keyboards. The project (titled Multiple Keyboards) involved performing a program of new works collaboratively with multiple keyboardists, and exploring practice-led research implications for teaching. This work is situated within a framework called the Artistic practice-Research-Teaching-Employability nexus (ARTE), which emphasises a strong, multidirectional connection between arts practice, research, and teaching at undergraduate and graduate levels, extending these into student employability outcomes. The authors used a practice-based, reflective, and auto-ethnographic approach to make sense of their experiences through the project. This paper proposes that programming choice in an artistic context functions both as a learning experience for academic-artists, as well as a model that can inform subsequent pedagogical thought and practice, including potential employability foci.
Original languageEnglish
Title of host publicationProceedings of the 23rd International Seminar of the ISME Commission on the Education of the Professional Musician (CEPROM): Ethics and Inclusion in the Education of Professional Musicians, Virtual Seminar, July 29-31, 2020
PublisherInternational Society for Music Education
Pages297-308
Number of pages12
ISBN (Print)9781922303042
Publication statusPublished - 2020
EventInternational Seminar of the ISME Commission on the Education of the Professional Musician -
Duration: 27 Sept 2020 → …

Conference

ConferenceInternational Seminar of the ISME Commission on the Education of the Professional Musician
Period27/09/20 → …

Keywords

  • college teachers
  • artists
  • art
  • research

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