The creative assemblage : theorizing contemporary forms of arts-based collaboration

This paper contributes to theorizing contemporary art collaborations in the context of the mediatory labour required of artists, and the complexity of the collaborative contexts in which aesthetic production is now enmeshed. In order to account for this complexity without reducing its analysis to ââ"šÂ¬Ã‹Å“structured fieldsââ"šÂ¬Ã¢"žÂ¢ or ââ"šÂ¬Ã‹Å“systemsââ"šÂ¬Ã¢"žÂ¢, we use elements of assemblage theory in a quite specific way: drawing on DeLandaââ"šÂ¬Ã¢"žÂ¢s work on social and organizational forms; and Lawââ"šÂ¬Ã¢"žÂ¢s ââ"šÂ¬Ã‹Å“method assemblageââ"šÂ¬Ã¢"žÂ¢ to analyse the specificity of working interfaces that craft new boundaries and working relations. We develop a case study of C3West, an Australian initiative encompassing arts institutions, businesses, and communities. The analysis traces assemblage processes that generate dispersed working arrangements (partnerships, intersectoral, and interdisciplinary working interfaces) across apparently incommensurable domains, yet without forming overarching structures or requiring common rationales for cooperation. To demonstrate the work of assemblage, we discuss the practices of French artist Sylvie Blocher and the multidisciplinary collective, Campement Urbain, who employ aesthetic and performative means to forge new institutional practices and alliances for intervening in urban planning processes in regional Sydney.