The magnetic Urtext : restoration as music interpretation

Sergio Canazza, Emery Schubert, Anthony Chmiel, Niccolò Pretto, Antonio Rodà

Research output: Contribution to journalArticlepeer-review

Abstract

This paper discusses historical-critical thought to address the problems of restoration and preservation of tape music, proposing viable solutions to the matter of digitizing the historically valuable data that exists on and is represented by magnetic tapes. A detailed program of research and restoration and some software for helping in creation of critical editions of the musical works are proposed. We also present some of the issues and controversies that must be considered and approaches we have applied in the preservation of tape music, highlighting how these interpretations can impact later performances (playback) of these tape documents. Fundamentally, we argue that the act of tape music restoration has a parallel with the interpretation of the “Urtext score” in the performance of music from the Common Practice Era.
Original languageEnglish
Article number844009
Number of pages5
JournalFrontiers in Psychology
Volume13
DOIs
Publication statusPublished - 2022

Open Access - Access Right Statement

© 2022 Canazza, Schubert, Chmiel, Pretto and Rodà. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY) (https://creativecommons.org/licenses/by/4.0/). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.

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