TY - JOUR
T1 - The perceived affective expression of computer-manipulated sung sounds
AU - Bailes, Freya
AU - Dean, Roger T.
PY - 2011
Y1 - 2011
N2 - The article focuses on the perceived affective expression of computer-manipulated sung sounds. It states that the use of vocal sounds, particularly sung sounds and their computational manipulation, has been a recurrent feature of computer music. It states that the most influential theories of affect in music came from L. B. Meyer, who suggested that listeners build expectations, and these may be fulfilled leading to correspondingly positive or negative emotions
AB - The article focuses on the perceived affective expression of computer-manipulated sung sounds. It states that the use of vocal sounds, particularly sung sounds and their computational manipulation, has been a recurrent feature of computer music. It states that the most influential theories of affect in music came from L. B. Meyer, who suggested that listeners build expectations, and these may be fulfilled leading to correspondingly positive or negative emotions
KW - computer composition
KW - computer music
KW - music
KW - sounds
UR - http://handle.uws.edu.au:8081/1959.7/513353
UR - http://muse.jhu.edu/journals/computer_music_journal/v035/35.1.bailes.pdf
U2 - 10.1162/COMJ_a_00042
DO - 10.1162/COMJ_a_00042
M3 - Article
SN - 0148-9267
JO - Computer Music Journal
JF - Computer Music Journal
ER -