The role of popular songwriting in three Australian tertiary music curricula : different strokes for different folks?

Michael Hannan, Diana Blom

Research output: Chapter in Book / Conference PaperConference Paperpeer-review

Abstract

![CDATA[Four teachers with a commitment to fostering the discipline of songwriting, responded to a set of questions about their teaching of songwriting in three different Australian post-secondary (tertiary) education music curricula. These curricula were in programs that included a city-based university where the offerings were not tied to any particular culture of contemporary music making (embracing a range of practices such as contemporary popular, traditional classical, contemporary classical, jazz and world musics), a regional university where there was a specific agenda to educate musicians for careers in the contemporary popular music industry, and a regional Technical and Further Education (TAFE) institute which embraced a vocational training mission focused also on the contemporary popular music industry.]]
Original languageEnglish
Title of host publicationEducational Professional Musicians in a Global Context: Proceedings of the 19th International Seminar of the Commission for the Education of the Professional Musician (CEPROM), International Society for Music Education, Philippos Nakos Conservatory, Athens, Greece, July 10-13, 2012
PublisherInternational Society for Music Education
Pages54-59
Number of pages6
ISBN (Print)9780987351142
Publication statusPublished - 2012
EventISME Commission for the Education of the Professional Musician. International Seminar -
Duration: 10 Jul 2012 → …

Conference

ConferenceISME Commission for the Education of the Professional Musician. International Seminar
Period10/07/12 → …

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