Abstract
This article assesses how David Lynch and Mark Frost employ location not only as a setting for action, but also as a way of interrogating the possibilities of parallel internal and external realities. Drawing on multiverse theory, it examines the metaphysical implications of the universe that Lynch and Frost have created and how the show questions the orthodoxy of singular space-time configurations. Taking Margaret Lanterman's questions that introduce episodes in syndication to interrogate how the show literalizes and thematizes worlds behind worlds, it examines the possibility that the apartment above the convenience store is one of many junction points for these multiple realities, acting as a nexus of worlds. Twin Peaks: The Return engages with the affective capacities of the sound and image to open up this expanded conception of worlds that exist under the skin of our world.
Original language | English |
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Pages (from-to) | 49-72 |
Number of pages | 24 |
Journal | Supernatural Studies |
Volume | 5 |
Issue number | 2 |
Publication status | Published - 2019 |
Open Access - Access Right Statement
This article made available under a Creative Commons Attribution-NonCommercial 4.0 International License: https://creativecommons.org/licenses/by-nc/4.0/Keywords
- Twin Peaks (television program)
- cosmology
- space and time