Abstract
Zines have recently emerged as methodological tools in qualitative research seeking to deploy arts-based approaches that foreground agency, collaboration, creativity, affect and critique. This article reflects on the use of zine-making as method in a project focused on Kingston and Arthur's Vale Historic Area, Norfolk Island. The article analyses seven methods used in making zine content: sticky notes, memory prompts, story completion, letter writing, interpretive text, conversations and participatory mapping. The article positions the project's multi-method approach to zine-making as a form of critical cultural justice inquiry. We discuss zine-making in terms of its sociable qualities, as well as its capacity to support representational belonging and a sense of ownership among participants over project outputs. As part of critical cultural justice inquiry, zine-making can enable 'doing research otherwise'" resisting extractivism and instead emphasising building relationships, engaging in dialogue and co-creating resources for hope and action.
| Original language | English |
|---|---|
| Pages (from-to) | 1112-1139 |
| Number of pages | 28 |
| Journal | Qualitative Research |
| Volume | 25 |
| Issue number | 5 |
| DOIs | |
| Publication status | Published - Oct 2025 |
Bibliographical note
Publisher Copyright:© The Author(s) 2024. This article is distributed under the terms of the Creative Commons Attribution-NonCommercial 4.0 License (https://creativecommons.org/licenses/by-nc/4.0/) which permits non-commercial use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access page (https://us.sagepub.com/en-us/nam/open-access-at-sage).
Keywords
- arts-based methods
- critical cultural justice inquiry
- cultural justice
- Kingston and Arthur’s Vale Historic Area
- multi-methods
- Norfolk Island
- representational belonging
- sociable methods
- zine-making
- zines