This exegesis details the development of four interactive artworks that enable audiences to observe and reflect on aspects of their own psychophysiology, using the technologies of biofeedback interaction as a way of situating the participant's subjectivity and bodily experiences within each other as reciprocal phenomena. The central theme addressed through these works concerns the representation and experience of subjectivity as a physiologically embodied phenomenon. Although contemporary theories of psychophysiology and phenomenology have overturned the idea of mind-body separation, many forms of cultural practice continue to represent subjectivity as a fundamentally disembodied phenomenon. The artworks documented in this exegesis extend this process of re-examination through the use of interacting bio-sensing technologies and audience participation. Each of the works create a space where participants and observers alike can become present to aspects of body-mind process.
Date of Award | 2006 |
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Original language | English |
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- visual arts
- art and technology
- biofeedback training
Development and evaluation of participant-centred biofeedback artworks
Khut, G. P. (Author). 2006
Western Sydney University thesis: Doctoral thesis