Potions and painting

  • Kerry Patricia Walsh

Western Sydney University thesis: Master's thesis

Abstract

This study traces the adaptation of the traditional gathering practices of Anglo/Celtic women to the landscape of Colonial Australia, thus developing a context for contemporary land-based art practices. Traditional gathering practices became one of the important forces that influenced and shaped the work of many women artists in post colonial Australia. Interacting with the landscape on a personal level helped contextualize women's gathering role into a contemporary theme, which linked past knowledge to present day voices. The author's art work is an interpretation of this traditional gathering practice. By relating herbal knowledge to present day concerns, she is able to extend the knowledge of past generations of women gatherers into present day images. The art work is also a diary of experiments, that are concerned with preserving the dye making recipes that have been handed down for generations. These botanical experiments have enabled the author to re-present herbal knowledge that took hundreds of years to glean, and to extend the use of the dyes obtained to create the art works.
Date of Award2003
Original languageEnglish

Keywords

  • women artists
  • Australia
  • women in art
  • women immigrants
  • women
  • herbs
  • naturalism in art
  • plants in art
  • painting
  • dyes and dyeing

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